Download Presswork JNL Font Family From Jeff Levine

Sheet music for the 1939 song “On the Paraña” featured Art Deco hand lettering in a classic “thick and thin” style, with many stylized characters. The publisher of the song was the Theodore Presser Company of Philadelphia, so the name “Presswork” aptly fit this typographic design. Presswork JNL is available in both regular and oblique versions. For trivia buffs, the Paraña is a river in Brazil.

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Download Connectica Font Family From Tour De Force

Download Connectica Font Family From Tour De Force Connectica, as the name itself refers, is joined monolinear script family. Comes in two weights, Light and Regular. Due to specific design, we added fake Swash OpenType feature for initial capital characters, where letters like E, F, U, V, W, Y lack joining line on the left side of the characters. Download Connectica Font Family From Tour De Force Download Now View Gallery

Download The Fudge Font Family From The Ampersand Forest

Download The Fudge Font Family From The Ampersand Forest The Fudge takes his inspiration from a proud tradition of big display serif type. He's an eclectic fellow — he borrows style elements from early 20th century humanism, from the Scotch Roman tradition, and from contemporary trends. He ranges from zero contrast in his Skinny form to voluptuously high contrast in his Chonk persona, which makes him fantastic for expressiveness and massive contrast in headlines and subheads, giving your designs a dynamic voice and a great range of color. The Fudge is designed to be equal parts friendly and elegant—he'd look a treat on a theatre poster or on a package of caramels, on a book cover or on a website, in bold color or in stark black and white. As long as the subject matter is delicious—whether it's food or literature or music or… anything that requires a strong, assertive, approachable choice! Download The Fudge Font Family From

Download Geo Deco Font Family From Tipo Pèpel

Download Geo Deco Font Family From Tipo Pèpel Geodeco font family brings to you the recovery of the typographic forms from the beginning of the 20th century, with a strong ArtDecó flavour but from a new point of view: modernity and geometry. Modernity in the visual contrast between lowercase and capital letters, where rounded shapes are opposed to the breaks and graphic tensions of the strokes of the capital letters. which gives it an enormous originality. Generous doses of internal whites, assure a powerful legibility even with the spite of its short ascending and descending strokes. What we get is a coherent and martial look where fluidity and homogeneity is the main note. Soft and rounded minuscule, with large internal whites for super legibility, bombproof, especially on screens, where Geodeco lives with an astonishing naturalness. The capital letters, used alone as display, or as companions of the minuscule characters, give the family

Anastasia Nekrasova

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